Warped Milwaukee 2014 Fiber Arts Show

Here's my applique art quilt entry for the Warped Milwaukee 5th Annual Fiber Arts Exhibition at the Jazz Gallery, 926 E Center ST, Milwaukee, Wisconsin.  The theme is "Motif," and I tend to do a lot of Day of the Dead-themed art and have wanted to do a larger format (11 x 14" is large for me) fabric collage.  This is raw-edged applique with shapes being cut from my hand-painted fabric (except for the light blues which are commercial print colors) and heat-fused to a black background and then secured with free-motion machine quilting.  I like to use brightly colored variegated thread for the quilting.

The show opens Friday, November 14, 2014 with a reception from 6-9 p.m.and will be up through November 30. The gallery has limited hours but is generally open on Tuesday nights 6-8 p.m. (for live jazz sessions) and Saturdays 12-5 p.m. but also check the Jazz Gallery website for other events.  On the last weekend of the show, the gallery will be open Nov. 29-30, 2014 from 12-5 p.m. for the Crafters Marketplace, which I will also be participating in, where local artists will be selling handmade items, if you want to get your holiday shopping done!  Both events are organized by the ABK Weaving Center and coordinated by Susan Buss.

Participating fiber artists this year are Liala Samir Amin, Carolyn Brady (yours truly), Susan Buss, Shayla Clements, Taylor Easton, Sarah Eichhorn, Jan Falk, Andrea Havens, Katie Haws, Brittany Kieler, Carley Knight, Susan Knorr, Mel Kolstad, Judy Larsen, Shannon Molter, Jane Moore, Alonzo Pantoja, Jill Pitterle, Lori Pruessing, Maggie Sasso, Maikue Vang, Sarah Westphalen, Nicole Woltman, and Josephine Yanasak.

Paint Fabric While the Sun Shines

We had a sunny 62°F day here, so I ignored the housekeeping and yard work and pulled out the fabric paints for the first time this year.  I used some cotton pieces that I had previously painted but didn't really like plus two 12x12 plastic stencils from Crafters Workshop that I bought at Legacy Scrapbooks in Cedarburg last year. First I experimented with some Tulip fabric spray paint.  It's a pump spray rather than an aerosol so the effect can be splotchy, but it turned out pretty groovy with the "Flower Frenzy" stencil (shown above).

I had originally bought the stencils to use for sunprinting, so I tried that as well. I painted a layer of contrasting color (Pebeo Setacolor) over the previously painted fabric, and then placed the two plastic stencils, using thumbtacks to keep everything in place on this very windy afternoon. In the photo below, the Flower Frenzy and Cosmic Swirl stencils are visible at the top, and a piece I sunprinted earlier with Cosmic Swirl is at the bottom.

So here's what I made today - the top two are sunprinted, and the bottom pieces were spray-painted.

Post-fabric painting housekeeping

I love fabric painting, but alas the day comes when I have to do the boring "housekeeping" stuff. If it hadn't been raining on Thursday, I would have probably said "To heck with this" and painted some more fabric instead! But instead I was a good girl and hand-washed all the fabric I painted this month to remove any salt and leaf bits and excess paint. Then I ironed everything on the pretense that this will heat set it. (I say "pretense" because I don't think I actually hold the iron long enough in place to really do the job, but in the long run, time sets these Setacolor paints, so at least I have less wrinkly fabric.)

Some tips on ironing painted fabric:
Don't use your good iron, because you will probably get paint on it. I have an iron reserved for craft use (fusible webbing, image transfers, etc). I also covered my ironing pad with blank newsprint so I didn't fuse paint to that either.
Here's how my iron looked after taking on some red fabrics. You can buy a tube of iron-cleaning goop in the sewing notions section of the store, but I recently learned a tip from Sharon in my book arts group. Save all your used dryer sheets, and after all the fabric softener stuff has been shaken out in the dryer, you can iron them to scour gunk off your iron. You may still need to do a heavy duty cleaning later on, but this is a fast and easy way to clean and keep ironing. (And then you can save those freshly flattened & paint-stained dryer sheets for art projects!)

I'm not a very enthusiastic ironer (is that a word?), so my fabric was still slightly damp when I decided I was finished, and I hung it on a drying rack. So that's all done, phew! And now I have some new fabric to play with!

Belatedly blogged for Fiber Arts Fridays

Sunprinting on Fabric

After last week's blog post about fabric painting, I managed to do a little sunprinting on Saturday. "Sun printing" is a bit of a misnomer because apparently it's not the light but the heat that causes the effect. The faster the paint dries, the brighter or darker the color sets. The paint underneath the objects (leaves, washers, doilies, etc) dries slower so the color is faded.

I took the fabric I had salt-printed (if that's a term) on Friday, which was still stretched on a frame, and painted over the whole thing in purple. Then I laid out leaves that I had pressed in a phone book and put the whole thing outside to dry.

Impatient? Who, me? The fabric was nearly dry when I lifted this leaf to see how things were going. And here's the final result:

Here's a Setacolor Soleil sun-printing tutorial at the Michaels website, though as I mentioned last week, the Michaels stores near us put all their Pebeo Setacolor fabric paints on clearance earlier this summer and don't carry it anymore. I mix my fabric paint 1:1 with distilled water.

Here's a tutorial from Simply Quilts about the salt technique. This was from an episode featuring Indiana quilt artist Phil Beaver who does some amazing applique with his hand-painted fabric.

Blogged for Fiber Arts Fridays

Fun with fabric paint

I've been wanting to get some fabric painting done this summer, but weather and time never seemed to coincide. On Wednesday afternoon, I looked at the bright sun shining on our back deck, and decided I would put off all the other stuff I had to do. Of course by the time I dragged out all my supplies and mixed my paint a huge cloud covered the sun! Sigh....
I like to use the Pebeo Setacolor (transparent color) fabric paints, which work well for sun-printing. (Our Michaels store used to carry them, but it all went on clearance earlier this summer, which at least let me restock my supplies.) You can see some examples of sun-prints in my Fabric Painting set on Flickr. On Wednesday, it became too cloudy and humid to get a good sun-print effect, so I focused instead on jazzing up some boring fabric. The unpainted fabric visible next to the paints above was a white-printed beige cotton fat quarter. The white design somehow acts as resist, and when you paint over it in a bright color like red, the pattern just pops!

I also experimented with some fabric scraps from a friend who makes vintage-style clothing. This pale green fabric needed some stronger color, and it was fun to discover that the floral pattern on it also stood out when painted a brighter green.

I also salted one fat quarter on a stretcher frame. Add rock salt while the paint's still wet (left) and then as it dries the salt sucks the color into flame-like organic swirly patterns (right). Here are a bunch of experiments laid out to dry in the back yard:

Now when's my next free sunny day???

Blogged for Fiber Arts Friday